| Photos (see all 17 | slideshow) | Videos (see all 11) |
| Matthew Goode | ... | Charles Ryder | |
| Thomas Morrison | ... | Hooper | |
| Anna Madeley | ... | Celia Ryder | |
| David Barrass | ... | Ship's Barber | |
| Sarah Crowden | ... | Lady Guest | |
| Stephen Carlile | ... | English Lord | |
| Peter Barnes | ... | American Professor | |
| Hayley Atwell | ... | Julia Flyte | |
| Patrick Malahide | ... | Edward Ryder | |
| Richard Teverson | ... | Cousin Jasper | |
| Joseph Beattie | ... | Anthony Blanche | |
| Ben Whishaw | ... | Sebastian Flyte | |
| Roger Walker | ... | Lunt | |
| Rita Davies | ... | Nanny Hawkins | |
| Ed Stoppard | ... | Bridley Flyte | |
| Emma Thompson | ... | Lady Marchmain | |
| Felicity Jones | ... | Lady Cordelia Flyte | |
| Geoffrey Wilkinson | ... | Wilcox | |
| Michael Gambon | ... | Lord Marchmain | |
| Greta Scacchi | ... | Cara | |
| James Bradshaw | ... | Mr. Samgrass | |
| Jonathan Cake | ... | Rex Mottram | |
| Tom Wlaschiha | ... | Kurt | |
| Stephane Cornicard | ... | Doctor Henri | |
| Susan Brown | ... | Nurse | |
| Niall Buggy | ... | Father Mackay | |
| rest of cast listed alphabetically: | |||
| Michael Berendt | ... | Art Student (uncredited) | |
Directed by | |||
| Julian Jarrold | |||
Writing credits | ||
| Andrew Davies | (written by) and | |
| Jeremy Brock | (written by) | |
| Evelyn Waugh | (novel) | |
Produced by | |||
| Zakaria Alaoui | .... | producer: Morocco | |
| Enrico Ballarin | .... | line producer: Italy | |
| Robert Bernstein | .... | producer | |
| Matt Delargy | .... | development executive | |
| Nicole Finnan | .... | executive producer | |
| Tim Haslam | .... | executive producer | |
| Hugo Heppell | .... | executive producer | |
| Kevin Loader | .... | producer | |
| Douglas Rae | .... | producer | |
| Rosa Romero | .... | line producer | |
| James Saynor | .... | co-producer | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Jess Hall | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Thomas Brown | |||
| Susanna Codognato | |||
| Lynne Huitson | (supervising art director) | ||
| Ben Munro | |||
Set Decoration by | |||
| Caroline Smith | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Zineb Bendoula | .... | hair stylist | |
| Sarah Downes | .... | makeup artist | |
| Lesley Noble | .... | hair stylist | |
| Lesley Noble | .... | makeup artist | |
| Roseann Samuel | .... | hair stylist | |
| Roseann Samuel | .... | makeup designer | |
| Sue Westwood | .... | hair stylist | |
| Sue Westwood | .... | makeup artist | |
Production Management | |||
| Laura Cappato | .... | production manager: Italy | |
| Sean Cooney | .... | post-production executive | |
| Daniel Gulliver | .... | unit manager | |
| Alistair Hopkins | .... | post-production supervisor | |
| Finlay Pile | .... | unit manager | |
| John Watson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Rachel Arundel | .... | assistant director | |
| Jonny Benson | .... | second assistant director | |
| Consuelo Bidorini | .... | second assistant director: Italy | |
| Rachel Boggon | .... | stand-in assistant director | |
| Dan Channing-Williams | .... | first assistant director: additional photography | |
| Dan Channing-Williams | .... | third assistant director | |
| Joseph Churchill | .... | stand-in assistant director | |
| Lucy Egerton | .... | crowd second assistant director | |
| Sandrine Loisy | .... | crowd third assistant director: London | |
| Barrie McCulloch | .... | first assistant director | |
| Kenneth Thompson Marchesi | .... | crowd third assistant director | |
| Dominic Threlfall | .... | additional third assistant director | |
Art Department | |||
| Matteo Bertelli | .... | art department: Italy | |
| Michael Betts | .... | prop storeman | |
| Lucy Eyre | .... | assistant set decorator | |
| Colin Fox | .... | drapes master | |
| Annie Gilhooly | .... | production buyer | |
| Darren Hayward | .... | carpenter | |
| Tara Ilsley | .... | art department assistant | |
| Massimo Pauletto | .... | assistant art director | |
| Sophie Phillips | .... | assistant set decorator | |
| Amin Rharda | .... | assistant art director | |
| Keith Slote | .... | draughtsman | |
| Fabrice Spelta | .... | assistant art director | |
| Christopher Wyatt | .... | draughtsman | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Howard Bevan | .... | sound assistant: dailies | |
| Andrew Caller | .... | sound mix technician (as Andy Caller) | |
| Tom Deane | .... | adr mixer | |
| Dan Dewsnap | .... | boom operator | |
| Gillian Dodders | .... | dialogue editor | |
| Danny Freemantle | .... | assistant sound editor | |
| Glenn Freemantle | .... | supervising sound editor | |
| Danny Hambrook | .... | sound recordist | |
| Simon Jones | .... | sound re-recording mixer | |
| Adam Laschinger | .... | boom operator | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Jonathan Rimas | .... | adr mixer | |
| Lionel Strutt | .... | adr coordinator | |
| Andrew Wilkinson | .... | sound effects editor | |
| Nourdine Zaoui | .... | sound technician | |
Special Effects by | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
Visual Effects by | |||
| Danielle Brooks | .... | CG artist | |
| Adam Gascoyne | .... | visual effects supervisor | |
| Simon Hughes | .... | senior digital compositor: Rainmaker UK | |
| Sean Lewkiw | .... | technical head of 3D | |
| Hugh Macdonald | .... | senior digital compositor: Rainmaker | |
| Collette Nunes | .... | visual effects editor: Rainmaker UK | |
| Roma O'Connor | .... | executive effects producer | |
| Jonathan Opgenhaffen | .... | CG artist | |
| Becky Roberts | .... | visual effects line producer | |
| David Wahlberg | .... | digital compositor: Rainmaker UK | |
Stunts | |||
| Stuart St. Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Julian Bucknall | .... | first assistant camera | |
| Nicola Dove | .... | still photographer | |
| Warwick Drucker | .... | additional grip | |
| Aidan Dungait | .... | video assist | |
| Conor Finlay | .... | electrician | |
| Mark Packman | .... | electrician | |
| Elvis Pasqual | .... | co-gaffer: Italy | |
| Nick Ray | .... | key grip | |
| Peter Robertson | .... | camera operator | |
| Luke Selway | .... | camera trainee | |
| Paul Sharp | .... | best boy spark | |
| Alberto Torrecilla | .... | first assistant camera: "b" camera, Italy | |
| Nick Wall | .... | additional still photographer | |
| Lee Walters | .... | gaffer | |
| Paul Wheeldon | .... | second assistant camera | |
| Sarah Woodward | .... | second clapper loader | |
| Matteo Bolzonello | .... | camera trainee (uncredited) | |
Casting Department | |||
| Orla Maxwell | .... | casting associate | |
| Kevin Riddle | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Annette Allen | .... | set costume assistant | |
| Anna Lombardi | .... | wardrobe supervisor: Italy | |
| Debbie Millington | .... | assistant costume designer | |
| Jessica O'Leary | .... | costume supervisor | |
| Katia Scarpa | .... | costume assistant | |
Editorial Department | |||
| John Claude | .... | digital intermediate colorist | |
| Emanuele Giraldo | .... | first assistant editor | |
| Tina Richardson | .... | assistant editor | |
| Paul Shore | .... | on-line editor | |
Music Department | |||
| Sophie Cornet | .... | music editor | |
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| David Firman | .... | orchestrator | |
| Catherine Manners | .... | music score coordinator | |
Transportation Department | |||
| Alan Emanuel | .... | driver: cast | |
| Matteo Gottardis | .... | transportation captain: Italy | |
| Bill Walker | .... | driver | |
Other crew | |||
| Adil Abdelwahab | .... | location manager | |
| David Blank | .... | first assistant accountant | |
| Oliver Butler | .... | crowd runner | |
| Deborah Cesana | .... | assistant location manager | |
| Adam Cocker | .... | production runner: london | |
| Matt Curtis | .... | title designer | |
| Maxine Davis | .... | production accountant | |
| Fiona Garland | .... | travel coordinator | |
| Nardia Hall | .... | production assistant | |
| Nazha Kajja | .... | production coordinator | |
| Gabby Le Rasle | .... | production coordinator | |
| Clive Noakes | .... | laboratory contact | |
| Lewis Partovi | .... | assistant production coordinator | |
| Martin Roberts | .... | location assistant | |
| Janice Schumm | .... | script supervisor | |
| Jane Soans | .... | location manager | |
| Brigitte Ward-Holmes | .... | assistant accountant | |
| Charlotte Wright | .... | location scout | |
| Carla Zacchia | .... | production accountant: Italy | |
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| Northanger Abbey | The Remains of the Day | Atonement | The Legend of Bagger Vance | Howards End |
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| News articles | IMDb Drama section | IMDb UK section |
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"Brideshead Revisited" (2008) is a British film directed by Julian Jarrold, based on the novel by Evelyn Waugh. The movie is told in flashback. During WW II, an English officer--Charles Ryder, played by Mathew Goode--is stationed at Brideshead, the same immense country home at which he was a guest many years earlier.
Charles is a successful artist, who had met the wealthy Sebastian Flyte (played by Ben Whishaw), who lived at Brideshead, when they were both undergraduates.
In the flashback, Ryder is fascinated by Flyte, one of the "Bright Young Things" who represented the height of elegance and sophistication in the years between the two world wars. (Victorian ideals of gallantry and noble patriotism had pretty much been destroyed by the gas and filth of WW I. The next upper-class generation valued wit and alcohol more.)
Emma Thompson plays Lady Marchmain, who presides over Brideshead in an imperious, overbearing way. (Wit and alcohol don't appeal to her--the only thing more important to her than the proper dress for dinner is her profound Catholic faith.) Also at Brideshead is Sebastian's sister, Julia Flyte (Hayley Atwell) with whom Ryder falls in love.
The plot of the film involves the attraction of Charles to both Julia and Sebastian, the importance of art in a world of commerce, and--in this movie--the stultifying effects of intense faith.
The problem with "Brideshead Revisited" is that we don't really care about any of the characters. Charles has a genuine desire to be an artist, but that's the only positive attribute that we see. Sebastian is drunk most of the time, and cynical whether drunk of sober. Julia is immensely attractive, especially in the early scenes when her hair is styled in a the severe, Louise Brooks fashion, but she has little else to recommend her.
Emma Thompson is, as always, fascinating to watch and to hear. In my opinion, she is one of the greatest English-language actors in the world, and I can only marvel at her skill. However, the character she plays is rigid, haughty, and fanatical, so there is no way you can like or admire her.
Castle Howard is used as the setting for Brideshead. It's not really a castle--its a huge manor house set on an enormous estate. (If the film were entitled, "Great Houses of England," Castle Howard would get star billing.) You can't help but be impressed by this glorious residence, with its expensive furnishings and dozens of staff. However, a beautiful house, a star performance, and a great hair style don't add up to a wonderful movie. There was probably a wonderful movie in here somewhere, but this wasn't it.
The film is worth seeing for what it has to offer, but don't pass up a better film to see this one.